Kamakura Pens
 
 
 

Kamakura Pen's Archive.

This is a collection of Fountain Pen Articles, Fountain Pen Histories and Fountain Pen Essays that have been published either online or in obscure books or jorunals. Things that I found while doing research on other pen topics and I thought were too good to be lost to obscurity and should be put online where a Google search could unearth them easily for the fountain pen enthusiast and fountain pen researcher.. If you know of an article that should be placed here, please let me know.

 

Feel free to use this information as you like, but I would appreciate a mention for the Kamakura pens site if you publish an article, or book with information gathered here. Recently, I have seen people publish pen articles exclusively from my archive with out any mention at all and that always breaks my heart.

 

 

 

Any Comments? Please send an e-mail to: rd@kamakurapens.com

 

 

 

In Manhattan, while Frank D. Waterman, nephew of L. E. Waterman, famed fountain pen maker, was being congratulated on having received the Republican nomination for Mayor, an old man sat in a vacant office on Madison Ave. staring at a fountain pen of antique design. He, Warren N. Lancaster, onetime business rival of the famed Waterman, told reporters how luck had undone him:

"That was a buster, that pen. I called it the Idea, after a horse I owned. Eugene Leigh, who brought that French horse over last year, trained him for me. . . When I had a place at No. 212 Broadway I sent President Garfield a pen like that. L. E. Waterman had a place a few doors down the street. I used to get my rubber from H. P. & E. Day up at Seymour, Conn. No one could make gutta percha like they could, on a big marble table, you know. Well, one time Mr. Day said he couldn't sell me any more rubber casings. Said he'd made a contract with Waterman. I put all my machinery on a boat and sailed it down to Baltimore. . . I advertised on P. T. Barnum's first circus program. . . When they put up the Flatiron building, they flashed 'The Lancaster Pen' against it with a stereopticon machine. Once I printed a Sunday paper to give away. . . My wife and I traveled all over; I introduced her to Mrs. Potter Palmer out in Chicago . . . It all goes back to the Baltimore fire." . . Old Mr. Lancaster pointed to a woodcut on a time-stained circular, which showed a Tennysonian gentleman with bushy brown whiskers, gold pince nez. "I looked like that once," said he. "It was always a fight. . ."